• The Railway Children

    When we decided to tour a version of this classic story, we knew straight away that we wanted the set to be a railway bridge with simple projections to support the suggestion of each location. We had such good feedback and this is a great example that projections don’t have to be full backdrops, smaller well used screens can be just as effective.

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  • The Sword in the Stone

    This was one of our first projection projects for one of our own youth theatre productions. As the performance space had very little wing space, we set to work creating digital backdrops that the actors could interact with. A great way to put projections to the test!

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  • The Wizard of Oz

    When we were approached to create a full production package for The Wizard of Oz, we knew that projections were the way to go. Every scene is animated with no static images at all making the magic of the movie jump right off the screen. These projections are part of our full The Wizard of Oz scenery package but can be hired separately.

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  • singin_mainSingin’ in the Rain

    Stamford Amateur Musical Society approached us to create all the visuals necessary for this technically demanding show. We had a lot of fun filming various sequences for the show and even built a custom set to capture the right feel.

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  • sweetcharity_mainSweet Charity

    Specially created for Rutland Musical Theatre Company, we built a set and digital backdrops all based on the director’s designs. The result was a cost effective but groovy looking production!

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  • honkjr_mainHonk! Jr

    The demand for this show was that the same set was being used for a production of Avenue Q – the same week! We created and programmed the content for both productions including custom animated sequences to make the changeover between each show seamless.

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  • pirates_mainPirates of the Curry Bean

    Some shows can come with their own digital content, as was the case with this show for a local primary school. We worked with the content and added some simple stage decking to create a real swashbuckling atmosphere allowing the production team to focus on the performers.

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